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Wednesday, October 17 • 3:30pm - 4:30pm
The Pipe Leading to the Synch

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How are artists with successful placements making it through the clutter and the noise? What "3rd Party" placement companies are credible and what piece of the pie are they taking? Great advice from experienced executives on getting your music placed into media.

Panelists
avatar for Keith D'Arcy

Keith D'Arcy

With 18 years of professional experience as a music producer and supervisor for EMI Music Publishing, Universal Music Publishing, Sony BMG Music Entertainment and ad agency Bates Worldwide, Keith D'Arcy has placed hundreds of songs in campaigns for global brands like Nike, Mercedes... Read More →
avatar for Lawson Higgins

Lawson Higgins

Lawson Higgins is the Head of Creative at The Royalty Network. His main focus is A&R and creative licensing but additionally works closely with music supervisors from advertising, film, TV and computer games. Lawson is an expert in music licensing, negotiating, creative pitching... Read More →
avatar for David Hoffman

David Hoffman

David Hoffman is the Director of Creative Services at Shapiro, Bernstein & Co., Inc., one of America's oldest independent publishing companies. At Shapiro Bernstein he is an A&R rep, TV/Film/Advertising placement person and song plugger amongst other things. The catalog ranges from... Read More →
avatar for Joel T. Jordan

Joel T. Jordan

Founder, Synchtank
Joel T. Jordan, Founder/CEO Synchtank [www.synchtank.com] Joel T. Jordan is the founder and CEO of Synchtank, a London, NYC and Los Angeles based software company that creates powerful cloud software to help rights holders maximize revenue, improve catalog management, and efficiently... Read More →
avatar for Jason Kramer

Jason Kramer

Jason Kramer is currently the music supervisor for Elias Arts, a prestigious music production company based in Santa Monica and New York. Elias Arts specializes in original music composition, sound design, music supervision, and audio branding for television, film, and commercials... Read More →


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